Tag: virginia

My no. 1: Abingdon

Sometimes it is with tobacco as it is with music. You hear songs that are ok or ones that suck until suddenly, whoaaa.. What is that?? You listen to it more closely and slowly feel yourself falling in love with it with every time you hear it. After that the song sort of becomes part of your life and you keep listening to it until the day you die. Luckily I am not yet in that last phase but master-blender GL Pease’s creation Abingdon certainly has ingrained itself in my existence.

Unfortunately I can’t remember exactly when I first smoked Abingdon. My First Pease blend was the then hyped Chelsea Morning. With trembling hands I popped that tin, filled the bowl, lit the pipe aaand… It sucked. Perhaps I was expecting the nectar of the pipe-gods or so but it wasn’t on par with anything I had in my mind. I never had it since, maybe I should because during the years my taste-buds have vastly improved. After that I got a sample of Westminster from a friend and it blew me away. Ok, perhaps this “Dark Lord” Pease-guy does know what he is doing after all, I thought. It must have been after that when I tried my first bowl of Abingdon. Apparently I liked it really, really much because when I look at my tobacco tin purchase history the name “Abingdon” often pops up. Nowadays about once a year I open up a tin of it as a treat to myself. It never fails to deliver.

Thanks to Troy Lloyd

Backstory:
I quote GL Pease here: Some may have caught the hints of the inspiration behind this one when I’ve written about it in the past, but for the rest of you, here’s the back story. When I began to think about what I wanted to do with the Classic Collection, I had it in mind to pay tribute to some of the tobaccos of the past that had inspired me over the years—not to attempt their recreation, which is always something of a fool’s errand, but to produce blends that were reminiscent of what certain blends meant to me. It was my desire to paint something of a leaky memory picture of what the now old 759 was like in its relative youth that inspired me to concoct Abingdon. First, there was 759 and there was 759. The blend went through some changes during its life, and not every vintage is like every other. Too, while many have claimed to “clone” or “replicate” particular blends, I have never once found one of these copy-cats to successfully reproduce one of the old blends. In most cases, they’re not even really close. Later vintages of 759 seem to have been more dominated by Latakia. For those, I think Abingdon may be a little closer, though certainly not identical. Abingdon was named after Abingdon on Thames, the home of the legendary MG motorcar. For me, something about that wonderful, oily, intense smokiness of the tobacco recalled the wonderful smells of my old MGA, so it seemed fitting.

Description from the producer:
Abingdon: Dark, Mysterious and Full. Abingdon is the fullest Balkan style blend in the collection. It is rich and robust, powerful and forthright, yet still possessing subtlety and finesse. Dark flavours of wood and leather mingle with delicate undercurrents of sweetness, and deep earthy notes, while the oriental tobaccos provide hints of their verdant, sometimes herbaceous character. A big Balkan blend, reminding us once more of what these blends used to be. Because of the high percentage of dark and oriental tobaccos, it’s recommended to pack Abingdon a little less firmly than you might a lighter blend. Abingdon was released in July, 2003. And another quote from GL Pease himself: Abingdon is not topped or cased. It, like most of my blends, relies solely on the flavours of the leaf to make it what it is. It’s actually a fairly simple formula, but the result is delightfully complex. It’s an interesting mixture as it is quite heavy with latakia, but the orientals are more subdued. The virginias form the backbone of the smoke, but the latakia makes quite a statement.

Package/tin:
A typical American round pop-lid tin with paper wrapper. I must say that for this review I have an old production tin (from 2012). Not too long ago the artwork changed a bit. But still on the front there is a picture of a bulldog shaped pipe on top of a fountain pen and a piece of writing paper. On the back it says: A full Balkan style blend with a generous measure of Cyprian Latakia, seasoned with fine red and lemon yellow Virginia tobaccos, and enhanced with rich oriental leaf. Abingdon is bold and assertive, while retaining a stylish finesse. The Classic Collection draws inspiration from the great tobaccos of days past. The blends offered are not meant as attempts to replicate them, but to pay them homage to capture some of their essence.

Contents/Ingredients/cut:
Upon opening the tin I am greeted by the light and dark blended ingredients: Cyprian latakia, red and lemon yellow Virginias and orientals. The cut is a kind of rough ribbon cut with chunky pieces throughout it which you sometimes have to rub out a bit.

Smell from the tin:
The smell from the tin is wonderful to my nose. Sweet, salt, leather, smoke, spice, autumn, wood, earth all mixed into one like the instruments of an orchestra. I would have expected to notice more of the latakia. Perhaps it is the age of tin (6 years) so that the tobaccos inside have mellowed but this does not smell at all like the “bold and assertive” which is promised on the tin label.

Taste:
Upon lighting the blend there sometimes can be a slight bitterness, but it usually goes away after a few puffs. I have to think of my old and trusty Toyota Starlet. When I first start it there is lots of smoke and the pungent smell of petrol but after some hitting the gas it runs smoothly. Sort of the same with Abingdon. When the blend awakens and I am lucky I get some dark fruit/raisin/apricot taste-swirls throughout the rising smokiness from the latakia, the Virginia sweetness and the oriental sourness. For me Abingdon is not a complex blend. Once it gets going basically the same taste stays throughout the bowl with some little nuances here and then. But that basic taste is… So damn yummie! The balance between all the tobacco components is unbelievable. Lots of contradictions but somehow they work together like a well composed symphony. The instruments are soft, creamy, smooth, full, leather, musty, earth, sour, spice, wood and smoky. The resulting piece is Abingdon. Like with the smell I had expected more latakia “oomph” but I am glad it is not there. The dark leaf is almost like the conductor who supports the other instruments and let them play better. In some of the Tobaccoreviews.com reviews I read comparisons with my favourite whisky: Lagavulin. And I have to agree! The two make a perfect pair. Like with Abingdon Lagavulin boasts a lot of smokiness but if you compare it to some other whiskies (Laphroaig, Ardbeg) it really is not that much. Also Lagavulin possesses that rich, full harmony of flavours that Abingdon has. Anyway, in the end the tobacco burns down to a fine grey ash.

Miscellaneous:
Abingdon can bite a little bit if you pack the bowl too firmly and the tobacco is too moist. But if you take that into consideration, no problems at all. It stays pretty well lit throughout the smoke, nicotine hit is mild to medium. In my opinion and experience Abingdon performs best in somewhat larger (Dunhill group 4) prince shaped or pot shapes pipes. It certainly is not an all-pipe friend.

Room-note:
Whenever Ellen sees this tin on the table in our living room she starts to shift uncomfortably. “Is this that blend, you know? Well, I am afraid it is darling.. Oh.. Ok, eh, I am going to sleep/play music/do the laundry/get the f*ck away from here/etc.” As I write this I am smoking a pipe of Abingdon, Ellen just came downstairs and immediately got a red face. “Are you smoking it again? Yes darling. Grrr.. I really wish you waited until I had to go away for work. You can write in that blog of yours it is the most vile, evil smelling tobacco there is! I just did that darling.”

Price:
On Smokingpipes.com a 2 oz. tin will set you back at $10.63 (± €9,30). An 8 oz. tin will cost you $35.70 (± €31,25).

Conclusion:
From all the still available tobaccos I like Abingdon the best. Period. Of course I prefer blends like London Mixture State Express, Renaissance or De Graaff Kegelbaan but eejj, I can’t get them any more. Abingdon possesses an old world quality which only improves with age, a timeless mixture. I can totally imagine myself sitting in my living room decades from now when I am old, wrinkled and slightly senile, while smoking a pipe of well aged Abingdon, enjoying the hell out of it and thinking back to the good ol’ days before tobaccogeddon. Just before Ellen whacks me with her walking stick while shouting “You are not smoking it again aren’t you??”

Of course I wish all my readers a merry Christmas and a smoky 2019!!!

Inter-Tabac 2018 impression

It was early in the morning..

September 22nd it was once again time for one of my annual highlights: The Inter Tabac fair in Dortmund. For those of you who missed the blogposts I made of the visit the last couple of years; the Inter-Tabac is the leading and biggest trade fair of the world for tobacco products and smoking accessories. This year 625 exhibitors from 54 countries presented trends and innovative tobacco products. This included cigars, cigarillos, cigarettes, E-cigarettes, E-pipes, E-shishas, smoking accessories, pipes, pipe tobacco, shishas, shop equipment and spirits. Unfortunately the fair is for retailers, not for consumers. Like the previous years I was able to secure a ticket through Fred. The saying goes, the more the merrier, so (with approval of Fred) I invited Jef, who is an enthusiastic Three Nuns tobacco fan (more about that later) and also a member of the Dutch/Belgian Pipe Smokers Forum. Sadly just a day before the fair Fred told me he could not make it. So on the early morning of the 22nd Jef drove from the West of The Netherlands, where he lives, to the East, where I live. To be precisely, to the MacDonalds in Deventer. There is a big parking lot just near the highway so I could park my car there and Jef and I could drive together. He was already there when I arrived and asked me the magic words on an early morning: “Do you want some coffee?”

We arrived well on time at the Westfalenhallen, the location of the fair, but when we wanted to go to the main entrance we could not find it. Turned out there was a big renovation going on so we had to walk through some sand and mud to get inside.. I proposed to first go to the stand of DTM/Danpipe because, well.. They have coffee there. And excellent tobaccos of course! We were greeted by master-blender Andreas Mund and his charming wife (both DTM employees) who, by the way, is responsible for many of the new DTM blends. Apparantly she has good taste buds, a good smell and some creativity. Jef knew of a perfume site where a lot of smell-combinations are explaned so he told her about it in spotless German. My German is just ok, I can understand it and make clear what I think and want but that’s it. So I looked at Jef and he smiled and shrugged “You probably did not know I am half German right?” No I didn’t but it was damn handy to have a walking translator beside me.

Andreas brought us all some coffee and I asked about new blends. DTM only had one called “The Untouchables”. A collaboration between DTM’s Michael Apitz and Hans Wiedemann from HU Tobacco. Very interesting! Andreas handed me the jar containing the blend and I first read the label: The Untouchables Special Mixture: The basic mixture consists of mature ready rubbed Virginia and a pinch of smooth Black Cavendish. Aroma of cedarwood and roses are added as a final seasoning, which marry perfectly with the tobacco’s original flavours. Untouchable – incorruptable in terms of quality! Ok, I opened the jar and it smelled inviting, so I grabbed my pipe and wanted to fill it with the blend. “Whooh! No you can’t!” Andreas said. “Huh, why not?” “Well, ehm.. We were a bit late deciding which aromas would be used so we only have this jar and nothing more..” “Ehrr.. Ok, so you have a new blend and no one can sample it?? You had loads of time to prepare for the fair!” With a laugh Andreas said: “Well, here it goes like, damn, the fair is in a week, let’s come up with something!” Ok, I opted for some tasty Fred the Frog instead. We talked some more about the company and we all believed it is a company that has “soul”.

A lot of Three Nuns vintages

Next we went to the big stand of the mighty MacBaren. This was a highlight for Jef because he is a big fan of the Three Nuns blend (and he knows all about its history) which is made by MacBaren now for a couple of years. Recently 2 new Three Nuns blends came out: Three Nuns Green (containing Kentucky, Perique and Virginia) and Three Nuns Yellow (containing Virginia). I did not have tried any of them, in fact, I did not have tried Three Nuns at all in my pipe smoking life. Until some months ago when I received a full envelope from Jef containing samples of different vintages. Some tasted better than others but still, very good! Jef even brought some of those old blends with him to show to product manager Per Jensen, who greeted us warmly. I just had to say “Three Nuns” and almost like a magician he made the 2 new blends appear on the counter. After an extensive sniffing I decided to load my pipe with the “Green” version. It was fresh as a young virgin but it tasted damn mature! Yummie! Per said: “We never looked back when we created the new blend. We never tried any of the old Three Nuns. Reason is that the tobacco manufacturers back then could lay their hands on does not exist now any more.” We talked some more when the subject came upon Burley. I said I seldom smoked Burleys but was willing to try some. So I asked if I could have a sample of the HH Burley Flake. Promptly I was given a full sealed tin. “That is how we do samples at MacBaren!” said Per with a wink. His next gift was a very special one, a big heavy book called “The Pipe, A Functional Work of Art“. It looked absolutely stunning with beautiful pictures. Thank you very much Per!

Love all the curlies ^^

When we were chatting and smoking the fabulous Three Nuns a man walked up to the counter. He had an unsmoked corncob pipe in his hand and said to Per he came for his pipe-smoking lesson. It turned out he came from Switzerland, was a cigar aficionado but wanted to explore the world of pipe-smoking. Ah, a possible new convert! Jef had some experience teaching new pipe-smokers so Per and I gave him the thumbs up to go ahead. And I have to say, Jef did a very, very good job. Per and I stood mesmerized while Jef explained all the basics to the man. Beginning with what the man liked to eat and drink in his regular life. Sweet? Not sweet? Smoky? Based on that Jef thought the man would prefer a more natural tobacco. So he let him smell some to show the difference between blends. On my advice the man also held his nose above a mixture with some latakia (some people immediately love it and want nothing else) but he did not like it very much. In the end Jef advised the man to try Amphora Virginia, because it is natural and uncomplicated yet tasty. He then told how to fill a pipe with the 3-step method (first putting in the tobacco like a child, softly, then as a woman, a bit harder and finally as a man, firmly press it). The Swiss man then lighted his pipe and began puffing contently. Jef explained some more basics on how to smoke and clean the pipe. The man loved it, “I can taste my favourite whisky!” he said with a big smile. Later we would bump into him again and he would repeat that he “really liked it, really liked it!” Mission accomplished.

The stand of Gubbels (Big Ben)

It was already time to lunch and on our way outside we passed the stand of Big Ben. As always Elbert Gubbels was very busy but he took the time to greet us. When I asked how things were going his face contorted: “All those damn EU regulations! Now they want that the Samuel Gawith tins I import no longer have a golden colour. Instead they must have an aluminium look because the gold looks too fancy!” Talking about Gawith, when we were outside having some lunch (which we brought with us because the food prices at the Inter Tabac are utterly insane) I spotted a grey man trying to sneak past us. When he saw I noticed him he tried to get away but to no avail, I gave him a big hug, it was Bob Gregory. “You bastard!” he said, “Every time I look at the bottle of beer you gave me last year I have to laugh! What’s inside huh? Belgian ale? Strong stuff!” Yes Bob, the stuff that makes you grow even more chest hair! Less funny were sadly his stories about, yet again, the EU regulations. I asked him if there was a chance Flatlander Flake would be released worldwide. “No, because the sky is blue.” “Excuse me?” “The sky is blue in the tin art which is not allowed any more. It strikes a too positive note about smoking.” Completely bonkers if you ask me.. “By the way, do you know a place in The Netherlands called Ootmarsum?” Bob asked. “Yes I do, in fact it is not too far away from where I live.” “Good, you should go there to a brewery, forgot which one, and take a good look around.” “Why?” “Because all the old Samuel Gawith machinery and equipment from the Kendal Brown House is there.” “What??? You mean amongst others the legendary old snuff mill from around 1750? The oldest, longest working piece of industrial equipment in Great Britain, perhaps even the world?” “Yup.. After the move to Gawith & Hoggarth we really tried to keep it all in Kendal, in the country. I phoned museum after museum, even the British Museum but no one wanted it.. Such a shame.. In the end a Dutch friend of mine who has a brewery in Ootmarsum bought it all to put in his little museum.” Back home I looked on the internet, the brewery in Ootmarsum must be the Othmar brewery. I think I will visit them soon.

One of Poul Winslow’s favourite pipes

After lunch Jef and I went to the stand of the Scandinavian Tobacco Group. Inside were pipes of brands like Peterson (! I had expected they had gone elsewhere since Laudisi took over the brand), Stanwell, Dunhill and Winslow. Stanwell had some new pipes made out of beech wood. According to the friendly spokes-lady they would last about 300 smokes. Hmm.. That does not add up to much for that price, I thought.. My corncobs are much cheaper and they already last far more than 300 smokes. Peterson had nothing really special and Dunhill had some weird pipes with a bend stem so you can smoke it around a corner or something like that.. Mr. Poul Winslow himself was present and I took the opportunity to thank him for repairing one of my favourite Winslow pipes. Some time ago I bit through the mouthpiece, I contacted my seller and he said to just send the pipe to Denmark for repair. So I did and only a couple of days before the Inter Tabac I got it back, with a new stem and polished. Mr. Winslow immediately recognized the pipe when I showed him, “Ah, the pipe with the broken mouthpiece right?” Further we had a pleasant conversation, he is such a gentleman.

Me and Lasse Berg

At a side of the stand I spotted a friendly giant: Scandinavian Tobacco Group master-blender Lasse Berg. On a table before him were jars with all kinds of loose tobaccos; Virginias, Burley, Kentucky, Latakia, Perique etc. It turned out he was blending mixtures for whoever who wanted them. That was an opportunity I would not miss! “What do you want?” He asked me. “A good balkan blend please!” With the speed of an experienced blender he put together some orientals, Latakia and Virginia. “Would you like some Perique?” “No thank you.” “A bit of Black Cavendish?” “Yes please.” He deposited it all in a tin and asked me what the name of the blend should be. “Balkan Arno, please”. Later that afternoon I smoked it and I have to say, it was better than expected!

Next was the stand of Kohlhase & Kopp. What struck us the most were the new “just-like-Dunhill-but-different” blends under the Robert McConnell banner with names like Early Bird (Early Morning Pipe), City of London (London Mixture), Majesty Elizabeth (Elizabethan Mixture) etc. I don’t know what to think of it.. Creative, yes, but also a bit of an insult to the old Dunhill blends. Anyway, Dunhill tobacco already died for me when Murray’s took over. I had the opportunity to smoke several sublime 1970’s versions and they were superior to the later blends I had, Murray’s and Orlik. At Vauen there were few new items. I think a new Auenland and I saw some pipes with weird psychedelic spots on them.

Jef had spotted a brochure that somebody held advertising CBD oil. What the hell does someone want with oil made out of the cannabis plant? Well, sadly Jef’s father has cancer, a very lethal version. The doctors had given him only 6 months but because of the use of CBD oil and Curcuma extract pills he has been going pretty strong for 19 months already! Jef is busy with setting up a business that can import, and perhaps later make, CBD oil in The Netherlands. But he did not expect to find suppliers on the Inter Tabac Fair. So we visited several of them. Pretty interesting, one company even had a vaping device which allowed you to inhale the CBD into your lungs. Handy with patients who have lung cancer for example.

Because the visits to Danpipe, MacBaren and the CBD companies took so long we could not see the entire fair. But I don’t think we missed much. Oh wait, there was one thing, I missed some scantily dressed promotion babes! It all was very, decent, this year. Until we were in one of the Vaping halls and we saw a stunning bodypainted beauty. Yesss!!! Around 5 o’clock we decided to call it quits and find something to eat. Like every year there was only one location we could go to; El Greco in the town of Herne. The friendly owner more or less recognized me from the other years (“Netherlands, right?”) and the meal he made was as good as ever.

I want to thank Jef for keeping me company and for all the interesting conversations we had. All pictures were made by Jef and myself.

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De Graaff tobacconist

Nowadays a truly good tobacconist sadly is a rare thing here but decades ago The Netherlands boasted lots of them. Specialist stores where the knowledge of the salesmen was of crucial importance because the clients relied on it. These days we can simply look up information on the digital highway but back then you had to trust the expertise of your tobacco vendor. One of the most well known and respected tobacconists in that time was G. de Graaff in the political heart of our small country: The Hague.

Churchill at the Congress of Europe in 1948 ©Haags Gemeentearchief

Founded in 1928 by Gerard de Graaff (who was later joined by his son Frits de Graaff) the business was located at the Heulstraat no. 27. Not far from Noordeinde Palace, Council of State, Council for the Judiciary and the Binnenhof in the old city centre. They got well-known both at home and abroad very quickly, mainly because of their excellent house-brand G. de Graaff cigars, which were made by 5 different cigar factories in The Netherlands. Even the legendary Winston Churchill had heard of them. Dutch Pipe Smokers Forum member Willem tells: “My father, who had a high ranking job at the Ministry of Finance, knew De Graaff very well because he always bought his cigars there. So when Churchill visited The Hague for the Congress of Europe in 1948 my father arranged some special Cuban cigars for him which came, of course, from De Graaff.” Other famous people who visited the store throughout the years were amongst others Bill Clinton, prince Bernard, Josip Tito, François Mitterrand and Konrad Adenauer.

Frits de Graaff 1978 ©Haags Gemeentearchief

After the war the sons of Frits, Robbert and Gerard de Graaff, entered the business. But soon father Frits realized that letting Gerard and Robbert work together was not a good idea. So Gerard kept himself busy with the production side and Robbert took care of the sales in the store. Frits de Graaff was a remarkable man, a real old world salesman. He lived above the store and was always impeccably dressed, like the true gentleman he was, with his trademark bow tie. Also he was a man of principles, if he did not believe in a brand he would not sell it. Willem tells: When I had my practice in The Hague, around 1976-1980, the De Graaff store had something special, something chic. In that time I smoked MacBaren. When I asked for such a tin at the store Mr. Frits always said that the tobacco contained too much glycerine “Which is not good for your throat!”. Like the polite man I was and still am I then bought a tin of Flying Dutchman, which was much better according to him. 

Frits de Graaff 1982 ©Haags Gemeentearchief

Also I know that De Graaff did not sell Peterson because of the P-Lip mouthpiece, the often shabby finish, the many fills and because of the long time it took to break in a pipe. I think he liked Dunhill better, Dutch Pipe Smokers Forum member Rob tells: Once I was in the store together with Mr. De Graaff. While talking he took a Dunhill pot-shaped pipe out of his pocket and told this was his father’s favourite pipe. You could see the pipe was old and that it had once been a heavy sandblasted Shell Briar but because of the use the surface had become smooth. After his death he kept the pipe and smoked it several times a week. As far as tobacco went Frits de Graaff liked latakia very much. Rob tells: I remember well that I was a boy of about 18 years old when I stepped inside the store to buy a pipe. When the conversation drifted towards pipe tobacco he pointed out “the only tobacco” latakia to me. Besides the pipe I let myself be persuaded to also buy a tin with latakia and indeed, I was swept away. Back in those days that fine tobacco was significantly more expensive than e.g. Mac Baren so I smoked latakia in moderation, because I had to pay for it from the proceeds of my newspaper round. Sadly Frits de Graaff passed away in 1996, Robbert took over the business but he sold the store in 2005. The new owners tried their best but the grandeur of days past never really came back. Just recently I learned that the shop at the Heulstraat no. 27 is closing, the owners want to merge it with another store of them at another location.

Klaas and myself

My own story with De Graaff began in 2011. I was just discovering the realm of the dark leaf when I began exchanging messages and tobacco samples with Klaas. Because of him I was able to try wonderful blends like Balkan Sobranie Original Smoking Mixture, GL Pease Westminster and De Graaff Kegelbaan Mixture and Back in Town. The last 2 were house-blends. I knew sh*t about pipe-tobacco in those days but what I noticed was that they were all of very high quality. Klaas saw that I really enjoyed the De Graaff tobaccos, generously gave me some tins and told the following story: I discovered the De Graaff house-blends fairly late, in the 90’s, but I was immediately smitten. I really invested in them and bought loads of tins. Suddenly at the end of the 90’s I was told in the store that the house-blends were being discontinued. I panicked a bit and decided to buy all the tins I could get my hands on. In the store and in other tobacco shops in The Netherlands who also carried the De Graaff house-blends. Of course during the years I smoked a lot of them but I still have some left. The only thing I always wondered was where those fabulous tobaccos were made. It was a well kept secret that De Graaff never told to anyone..

Louis

Throughout the years I smoked some excellent De Graaff blends which were given to me by Klaas and another forum member. Also whenever I was in a tobacco-shop I asked if they had some old tins stashed away somewhere. Now and then I even got lucky and I was able to buy some old De Graaff tobaccos meant for home-blending, which I did and created lovely blends with them. But when I heard that the actual shop at the Heulstraat was closing down I decided to write a blogpost about De Graaff and do some research. At that point all I had were the names of the 2 sons of Frits, Gerard and Robbert. So I asked yet another forum member, Rudi, who had a tobacco-shop in Middelburg for years, if he had a contact address or something like that. He didn’t but he pointed me towards a Belgian man who made cigars for Gerard. I contacted him but he knew very little, only that, very sadly, Robbert had passed away a few years ago. Damnit! Robbert was the mastermind behind the pipe-tobaccos, so I was pretty gutted when I heard that. Then I decided to use an old contact of mine, Louis Bracco Gartner, founder of the Historical Tobacco Museum in Delft and the Tobacco History website. He helped me before with my Diepenveensche Tabaks Centrale blogpost and when I mailed my questions to him he responded with “call me, I know more.” So I phoned him and he turned out to be friends with Gerard de Graaff. I got the mail-address of the latter, contacted him a couple of times and got no response besides a mail which said I had the wrong man and that he did not know anything about pipe-tobacco..

So I phoned Louis again, told him this (according to him the mail-address was correct) and said I only wanted to know where De Graaff house-blend pipe tobaccos were made. “Oh but I know that!” “Ehmm.. Excuse me??” “Yes I know that, the house-bends were made by Dunhill in London.” Wowwww…. I was gobsmacked.. Made by Dunhill.. Hmmm, the 60’s and 70’s ok, Dunhill was still Dunhill, but during the 80’s and 90’s Dunhill blends were made by Murray. Those tobaccos were not highly acclaimed, not just by me (I smoked some) but also by others. The De Graaff blends I smoked dated from the 90’s and were of exceptional quality, way better than Murray-era Dunhill. Then from out of the back of my head I remembered I read something on the Dunhill page of the great late John Loring. Something about blends still being made (in the 80’s and 90’s) at the Dunhill Duke Street shop: One exception to the 1981 blending transfer (from Dunhill to Murray) should be noted. The Dunhill Duke Street shop continued to offer custom blending for the next two decades and as part of that continuation, a small batch blender in London (I suspect with Dunhill associations) continued to produce a number of My Mixture blends available only from the Duke Street shopSo it could very, very well be that that was the way the De Graaff house-blends were made.

Now about those house-blends. I don’t know precisely when the first pipe-tobacco house-blends were made but Rob has to say this: It must have been 1967 when I first visited De Graaff. I remember that in the room where the pipes were there also was a display with pipe tobaccos, sold under their own name. A couple of years ago I luckily had downloaded through the Wayback machine the original house-blend descriptions from the old De Graaff website. Here they are with notes from myself and pictures:

-Abu Riha-
Exceptional aromatic flake with a good deal of Latakia, as well as Turkish, and Red Virginia tobaccos. Excellent composition over a glass of Single-Malt whiskey. I smoked some tins of this one and I can best describe it as the prefect marriage between Smoker’s Haven Krumble Kake and Esoterica’s Penzance. In fact, it looked and tasted so much like those blends that I decided to mail J.F. Germain (and added some pictures) and they responded: These are very interesting pictures, we did not make any tobacco for De Graaff but I understand why you ask the question the tin and the tobacco look like Penzance from years ago.

-Back In Town-
One of our most successful mixtures, an ex-cigarette-smoker assisted in composing this blend. A fine composition of light and dark Virginia’s, Syrian Latakia, Kavalla (Macedonian tobacco) and Carolina Cavendish. A medium mixture with a pleasant flavour. A pleasant flavour indeed! This is one of the De Graaff classics, Syrian latakia, Kavalla, nomnomnom! Perfectly blended, very harmonious.

-Carl’s Own Blend-
Carefully composed by the HOUSE OF GOOD TASTE. Is the choice of a man of FINE TASTE. Born and bred in the THEATRE OF ROYAL TASTE. Full-flavoured mixture on the basis of Virginia tobaccos (Flue Cured East Carolina and Georgia) and a small quantity of Latakia. Sadly I never smoked this blend.

-Coronation-
This blend has been already produced for more than a century for the discerning smoker. Very mild, not burning the tongue. For the morning. I once had a sample of this blend but can’t remember it any more..

-De Kegelbaan-
An unique blend of first class tobaccos: Syrian Latakia, Old Belt Virginia, Brown Cavendish and Turkish tobaccos (Yenidshe). Mild taste, cool, slow burning. This is another big classic, I just finished a tin and only 1 word: exceptional. And not just a couple of times, no every time! The Yenidje is immediately recognizable (for those that have smoked Yenidje Supreme) and sings together nicely with the Syrian Latakia and Virginia’s. The Brown Cavendish mellows it all out a bit. I think that the creator Robbert De Graaff tried to imitate the old Balkan Sobranie with this one if I see the ingredients. And for me he absolutely succeeded!

-Golden Virginia-
Cool, somewhat sweet Virginia Bright Leaf. This is one of the oldest varieties of “flue cured” tobacco. Pleasant taste. I used this blend a couple of times in home-made mixtures. It reminded me a bit of Dunhill Flake, but then in a ribbon-cut. I had several tins but threw them away in a fit of cleaning rage before I could take a picture..

-Latakia-
Jebeli is also called “Abu Riha” (Father of the pleasant smell) by the Syrian population. The flavour is acquired by drying the tobacco over a fire of camel-dung (nice commercial story but not the truth..). Tobacco especially for mixing. And that is precisely where I use it for. When you open a tin, whoaaa… It smells so damn good! Also when you smoke it straight it is very yummie. On the tin it says Mountain Blue Syrian, of course made famous by Balkan Sobranie 759, the stuff of legends.

-No 27-
This tobacco gives evidence of craftsmanship. Composed of the best Golden- and Middle Belt Virginias, Corolina Cavendish, completed with a pinch of Lousiana Perique, for the perfect taste. Especially made for those smokers who prefer a Virginia blend. This tobacco is particularly aromatic and yet mild of taste. The only thing I can remember about this one is “tastes a bit like Dunhill Elizabethan“.

-Perique-
The Perique tobacco is unique, its history is dating back to the Choctaw and Chicasaw Indians. It adds a spicy flavour to all tobacco blends. It is without “bite”, although it is far too heady to be smoked straight. Well, Aleister Crowley did! I use it only for home-blending.

-Seamen’s Club-
Matured dark Virginia. This warm, dark tobacco is mild in taste and can be smoked pure or in mixtures. Unadulterated Red Virginia, I used it many times in home-blending for some Virginia backbone.

-Turkish-
Excellent burning qualities. Suitable for mixing, can also be smoked pure. Extremely mild with sweet undertone. I used this once in home-blending, it tastes like there is some Kavalla in it.

De Graaff also had house-brand pipes. Several Dutch Pipe Smokers members have such a smoking device. They were made in London and later in France. But where? No idea.. So I mailed Louis again, he asked around and came with a name: GDD! Ehrrr, I guess you mean GBD? He wasn’t sure but I now know it was GBD indeed, just look at the picture beside this paragraph. Where the pipes were made in France I sadly do not know..

Of course there is much more to tell about De Graaff, especially their cigars, but since this is a pipe-smoking blog it is enough for now. One last thing, here is a PDF document of 2 interesting old booklets/flyers from De Graaff, in Dutch.. I would like to thank all the forum members and people who have helped me and made this blogpost possible!

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Smooth Smyrna, a John Cotton story

One of the great old names in the pipe-tobacco pantheon is that of John Cotton. Mostly known for their No. 1 (Mild), Nos. 1 & 2 (Medium) and Smyrna blends. My first encounter with the brand was some time ago at the end of the first year I started smoking pipe. I had done some research about the old venerable pipe-tobacco names and while surfing ebay stumbled upon an old sealed tin of John Cotton No. 1 Mild. I can’t remember what I paid but the price was very reasonable. However when I smoked the mixture I was not impressed. I had just started smoking latakia blends such as Old Dublin, Nightcap and Balkan Supreme and found No. 1 Mild too.. Mild.. How wrong I was in hindsight..

The John Cotton re-makes

In 2015 The Standard Tobacco Company of Pennsylvania brought back several old tobacco-brands from the abyss of oblivion under which the celebrated Bengal Slices and some of the John Cotton range. “Ah, they also have re-made Smyrna, I forgotten about that one!” I thought. I always loved oriental forwarded blends so I ordered some tins. And the tobacco did not disappoint me, I loved it! Master-blender Russ Ouellette did a wonderful job re-creating the old mixture. Some months ago I was surfing ebay again and to my surprise I saw a vintage John Cotton’s Smyrna tin up for auction, they are pretty rare. Probably some rich American, Russian or Chinese guy was going to pay big bucks for it so I set my bid not too high, more like a kind of joke than a serious offer. When I awoke the next morning I saw to my amazement that I had won!

Sorting out the history of John Cotton was rather difficult and time consuming. At first I could only find a little bit of information on the internet like the Firesign Theatre & Gresham’s Law document by the great Jon Guss, which mentions John Cotton. Good friend Troy Lloyd had a few pictures but nothing more and there was some loose information on several pipe-fora. But they did steer me into the right direction; the wonderful Scottish Post Office Directories for Edinburgh. There (and in later phone-books) I discovered the history of John Cotton. In contrast with common belief the firm was not founded in 1770. I know, on (old) advertisements and tins it says so, but it is not true. Also Jon Guss says that the first Cotton established his tobacco shop in Edinburgh in 1773. I could not find evidence for that so Jon, if you read this, let me know why you think it is 1773!

  • Edinburgh map of 1774

    1774: The first year I can find anything of a Cotton. Not a John Cotton but George Cottons, the founding father so to say. The following years he moves from location to location throughout the city.

  • 1813: For the first time several tobacconists with the Cotton name can be found: George junior and James.
  • 1820: Tobacconist James Cotton has disappeared from the directories.
  • 1822: James is back together with a new Cotton tobacconist: William.
  • 1826: A very important year because for the first time a John Cotton is mentioned as tobacconist.
  • 1829: One of the George’s and John Cotton are not mentioned in the directory.
  • 1834: A good year for the Cottons, John is back and the remaining George has become tobacconist to king William IV.
  • 1838: James is replaced by Chas W. and because of a royal death George is now tobacconist to the late king.
  • 1839: William Cotton is no longer mentioned but a George S.S.C. is.
  • 1840: Chas is gone, James is back and George is once again a royal tobacconist. Only now to a woman, her majesty Victoria.
  • 1846: Perhaps the Queen herself is not a big fan of George (& Son) Cotton because now he holds the title of “Tobacconists to the Royal Household”. The following years nothing much changes.
  • 1872: For the first time a Cotton (George & Son) is listed on the now famous 100 Princes Street address. John Cotton is nearby on 122 Princes Street.
  • 1879: A mention is made in the Edinburg Gazette of the dissolution of co-partnership between John Cotton and George Cotton, apparently they were partners.
  • 1884: It seems that George Cotton & Son and John Cotton are the only Cotton tobacconists left. The latter is now active on the well known 7 Frederick Street address.
  • 1890: George Cotton & Son loses the “Tobacconists to the Royal Household” title.
  • 1905: Apparently business is going well for John Cotton, for the first time a factory is mentioned on 10 Abbeymount.
  • 1906: An important year, Limited is now added after the John Cotton name and a new factory is put into service on 172 Easter Road. In fact, this building still exists! Today it is a business centre and the original chimney with the letters “JC” on it has survived.
  • 1907: John Cotton Limited gets an office at 11 Duke Street with a secretary: J. Aikman Smith.
  • 1933: Not 1 but 2 secretaries, J. Aikman Smith and Wells at the new office address of 8 Forres Street.
  • 100 Princes Street address

    1935: The first year that John Cotton Limited is active on the 100 Princes Street address although George Cotton & Son also remains there.

  • 1954: Suddenly there is a George Cotton Limited and the 100 Princes Street address is no longer mentioned. Only the 172 Easter Road factory is named.
  • 1955: George Cotton Limited is no longer mentioned, only John Cotton Limited remains on the factory address.
  • 1962: John Cotton Limited is acquired by Gallaher.
  • 1963: John Cotton Limited is no longer mentioned in Edinburgh. The address now is in the Trafalgar House, Waterloo Place in London.
  • 1968 and beyond: I can’t find John Cotton Limited any more in the phone-book. Some later addresses I found on the internet and the No. 1 Mild tin are 65 Kingsway, London W.C.2 and P.O. Box 14, Rowdell Road, Northolt, Middlesex.
  • 1972: A memorandum is written about John Cotton smoking tobaccos manufactured in Denmark (by Erik Stokkebye): Harvest Gold, Burley, Rich Mellow Virginia, Honeydew, Gaelic Mixture and Danish Aromatic.
  • 1986: In a Gallaher document John Cotton’s No. 1 Mild and Nos. 1 & 2 Medium are mentioned. After this date I can find nothing, the brand disappeared.

Now a comparison between the vintage and re-made John Cotton Smyrna. I had some help in the person of Robbin, an experienced vintage blend smoker with a good tasting palette.

Package/tin:
Vintage John Cotton Smyrna: 
There were several kinds of tins in which Smyrna came. I have seen pictures of knife-cutter tins, rectangular ones and the version I have is a round 50 gr. one. The background colour is white with on it the well-known lion holding tobacco leaves in red. The letters “John Cotton’s Smoking Tobacco” are in black and “Smyrna” in between them is in red. On top of the tin it says “Made in the United Kingdom”, on the bottom is a banner with in it “A blend of Smyrna and other fine tobaccos”. For me the whole has a kind of weird Wild West appearance because of the used fonts. Hell, “Smyrna” even has bullet holes in it! I don’t know what the original graphic designers smoked when they designed the tin, but certainly not Smyrna!
Re-made John Cotton Smyrna: Also a round tin and ladies and gentlemen graphic designers, this is a prime example of excellent tin-artwork. I like it way better than the old design to be honest. The background is beige with on it the lion in gold. In the middle is a classic looking dark-green banner with in the text “John Cotton’s (in serif font) traditional English pipe tobacco mixture (in a sans-serif font).” The edges of the banner are in gold and together with the lion are made with embossed printing. Below the banner is the name of the blend, Smyrna, also in a serif font. The golden embossed printing combined with the fonts make this tin look real classy.

Contents/Ingredients/cut:
Vintage John Cotton Smyrna: Upon opening the tin I am greeted by a simple white carton with nothing on it. Hmm, at least the inlay in my old No. 1 Mild tin had some printing on it. When I remove it I see a colourful ensemble of latakia, Virginia and Turkish strands with quite a lot of the dark leaf in it. The cut is a good ol’ fashioned ribbon cut.
Re-made John Cotton Smyrna: When I open the tin I see a transparent plastic inlay upon the tobacco. Oh well, better than nothing. Compared to the vintage Smyrna the tobacco colours in this version are similar but brighter. Also there are more lighter strands in my opinion. The cut is a thin ribbon cut.

Smell from the tin:
Vintage John Cotton Smyrna: This blend surprised me, after all these years I thought the latakia had toned down a bit but no, when I first smelled it, whoaahh.. Definitely not Syrian latakia but strong assertive Cyprian. For the rest I detect a little woodsy sweet and sour odour.
Re-made John Cotton Smyrna: Yup, there is latakia in this one, no question about it. But besides that the (fresher) smell isn’t that different from its older brother. Despite the presence of more lighter tobacco-strands. However I do detect a tiny little bit of topping, coumarin (a chemical also to be found in for example cinnamon, tonka-bean and deer-tongue), which I can’t smell on the vintage version*. 

Taste:
Vintage John Cotton Smyrna: Ahh.. This is how I want all my tobaccos to taste like at the first light. Almost no bitterness, the Turkish and latakia are fighting about the main role and it is full, round and smooth as Ellen her bottom. A bit further the grassy, earthy Virginia comes into play a bit more. Towards the middle the superb Turkish are winning the fight and the whole becomes a big rich flavour-bomb; cedar, spice, sweet, sour, chocolate creamy, leather you name it, the blend all has it. Robbin remarks that this part also reminds him a bit of red wine. Towards the end of the bowl the different components really become one and burn down to a fine grey ash.
Re-made John Cotton Smyrna: I can remember the first time I smoked the re-made version, I instantly fell in love with the taste. Cyprian woodsy and leathery latakia that is kept under control by the grassy Virginia and spicy and sour Turkish, yummie! Now I have smoked the vintage version I am a bit amazed that the latakia there seems more powerful as the re-made one. Despite the unquestionable presence of the fresh dark leaf the newer leans more on the Turkish and Virginias in my opinion. Or at least, they are more detectable, the taste is more clear. Perhaps everything has melted so together in the old one that I get this result. I can also taste a tiny little bit of the coumarin topping which for me is pleasant*. Towards the middle the Turkish come even more forward and it more or less stays this way until the end.

Miscellaneous:
Vintage John Cotton Smyrna: The tobacco had the perfect moisture when I opened the tin and the ol’ fashioned ribbon cut made filling the bowl and smoking the pipe easy. The nicotine level is just above medium and there was absolutely no tongue bite.
Re-made John Cotton Smyrna: I had to get used a bit to the springy, thinner ribbon cut but after a couple of times you know how to best fill your bowl. Simply don’t press the tobacco too hard. The blend does not bite but if you puff too hard an fast it can burn hot. Vitamin N level is medium.

Room-note:
Vintage John Cotton Smyrna: For a latakia blend the room-note is pretty decent! I could smoke it without a complaint from Ellen. The next morning a lovely incense smell lingered.
Re-made John Cotton Smyrna: This one has one of the best room-notes I have ever smelled for a latakia mixture. Like the old one incense-like and perhaps enhanced by the coumarin*.

Price:
Vintage John Cotton Smyrna: I paid €61 for it, not too bad!
Re-made John Cotton Smyrna: At 4noggins you pay $11.99 (± €10,03) for a 1.75 oz. tin.

Conclusion:
Vintage John Cotton Smyrna: It is an excellent blend, I can understand why people still speak with respect about the old John Cotton Smyrna. It totally talks the talk and walks the walk so to say. I had many very pleasant evenings smoking it. It is a blend that demands attention, grabs you by the balls and does not let loose. For Robbin and me one of the remarkable things was that the latakia had not really subdued, it was still powerful. We both rate this mixture a 8.5 out of 10.
Re-made John Cotton Smyrna: First of all Russ Ouellette did a wonderful job re-creating the old blend. It is not exactly a copy but according to Robbin more an excellently executed remake. When I smoke it and I keep in mind the ageing process, well, in 30 years it could be where the vintage version is now. And that is a compliment! Robbin and I both rate this mixture a 8 out of 10. Oh, and that vintage No. 1 Mild I thought was too mild, I love it now. But I have to end this blogpost in a sad way. Probably the new version will not be amongst us much longer. See this Facebook message from one of the founders of the The Standard Tobacco Company of Pennsylvania, Dan Z. Johnson: 

Buy It While You Can
With the FDA Deeming Regulations poised to take effect in about two weeks, I have some sobering news for our friends. Unless something changes, there will not be another production run on the 5 original Standard Tobacco Co. of PA blends. Once the current inventory of War Horse, Bengal Slices and John Cotton’s is sold, there will be no more. Ever.
I’ve held off making this announcement until I was certain that the end is near. August 8, 2018 is the cut-off date for selling post 2007 blends such as ours without an FDA Substantial Equivalence (SE) approval. Since it now appears highly unlikely that we will get an SE, and since our distributor does not want to get stuck with product that they can not sell, their plan is to sell out existing stock and not re-order.
Caveat: If we sell out of everything quickly, the distributor might change their mind and do another run, but that is doubtful given the glut of new, last ditch blends clogging up production and warehouse space. Also, if the FDA is forced by congress to change the grandfather date to include post 2007 blends such as ours, then we are free to continue production. That, however, is exceedingly unlikely at this point in time.
I can’t tell you how sad and disappointed I am to have to tell you this. It’s not where we wanted to be at this point in time, but I wanted to give you all the opportunity to order your favorites before it’s too late.

* EDIT 25-9-2017: In the comment below this post Russ Ouellette says that there is no top dressing on the re-made Smyrna. So I don’t know what I smelled and tasted, but certainly no coumarin!

EDIT 16-1-2018: I received a mail and picture from Andrew Robertson. Apparently his mother worked at the Cotton’s factory in Easter Road, Edinburgh from 1935 until she joined the army as a Radar Operator in 1941. The picture was taken outside the Cotton Factory at Sunnyside on Easter Road Leith circa 1939. Andrew’s Mother, Alice Bowie as she was then, is 2nd on the left of the back row, immediately behind the foreman. His mother’s friend May Wilkie is standing on the right of the picture. Andrew’s mother always explained that she and May made “cocktail” cigarettes similar to the Sobranie brand.

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The quest for forum tobaccos – Part 3: Flatlander Flake

The “old” forum tobaccos

In 2012 I started my quest for forum tobaccos. That is, special tobaccos for the Dutch/Belgian Pipe Smokers forum (PRF). That often difficult journey (which you can read about here) ended at the end of 2013 and resulted in 3 delicious tobaccos: an aromatic called Genietmoment, a VaPer named Janneman Flake and a Balkan-blend with the name Brullende Leeuw. All made by a German tobacco company in cooperation with the wonderful Hans Wiedemann from HU Tobacco. After a years rest of the forum tobacco business it started to itch again, I was looking forward to a next phase of the project.

So, from which pipe-tobacco manufacturer would I like a forum tobacco (I already had decided it was going to be only 1 this time).. Sadly not an American company, import-wise that is waaaay to difficult (although I would have LOVED to work together with for example GL Pease, Cornell & Diehl or McClelland). It had to be a European one. On top of my wish-list was the quintessential English tobacco manufacturer Samuel Gawith. But how to get them to participate?

It is said that the secret ingredient for Gawith’s Black XX is Bob’s chest hair..

Actually that was pretty easy. Every year on the Inter Tabac fair in Dortmund I encounter the charming Bob Gregory at the stand of Samuel Gawith (merged together (again) with Gawith & Hoggarth in 2015). On the 2015 edition I took the bold step of asking Bob if Gawith was prepared to make a small batch of a special forum tobacco to be made by him and myself. To my surprise Bob immediately said yes, on the condition that the forum members would buy a minimum amount of 200 tins of 50 grams, and gave me his email so I could send him further details. Yessss, step 1 was taken!

Elbert Gubbels

Now step 2, getting the tobacco legally in The Netherlands. Gawith did not have a Dutch importer but I knew that someone was very interested in that job: Elbert Gubbels of Gubbels Pipes (Big Ben etc.). After years of being busy with smoking pipes Elbert was looking for a business expansion with pipe-tobacco. Fred and I made sure to let Elbert know that working with a high quality pipe-tobacco manufacturer such as Samuel Gawith was a smart move. He agreed with that and assured us he would talk to Bob about importing Gawith tobaccos to The Netherlands. In short, the next phase of the project could begin!

Back home I immediately mailed Bob, I already had an idea in my head of what I wanted. With the last forum tobaccos the high seller was Janneman Fake, a VaPer and a kind of blend that appealed to a lot of forum members. This time I wanted something similar yet different. First the cut, not a flake but a plug which is more special. Further I am a big fan of oriental tobaccos so I thought, Virginia/perique/oriental.. Hmm.. That could work! Also I was inspired by a blogpost by GL Pease about his wonderful Embarcadero blend. There he admits using a pinch of latakia in his Fillmore offering. A trick to extra season a tobacco, the same as someone would season a good steak to make it an excellent one.

So I wrote to Bob that the ingredients should be Virginias (in the vein of Full Virginia Flake), orientals (sadly Gawith only has an assorted blend of orientals and no specific varieties), a bit of perique, a smidgen of latakia and I told him what, very roughly, the levels of the different tobaccos should be. I was going for a sturdy yet mild, exotic and not overpowering blend with some fine nuances. Now I hear the PRF members saying: “What?? There is latakia in the new forum tobacco?? You said there wasn’t!” True, I lied, I admit and I am sorry. Because some members don’t like latakia I was afraid that they would not buy the tobacco simply because the dark leaf was an ingredient (although used very, very sparsely). So all you latakia haters who now smoke the blend and love it: got ya!

Bob being busy

While I was waiting for an answer from Bob I made the list on the forum where everyone could sign up for the tobacco. Remember, we had to order a minimum of 200 tins and I was crossing my fingers to say the least we made it to that amount. I did not need to worry. On 20 September 2015 forum-members could order and on the 25th I already had my 200 tins! In the meantime Bob had been busy with the plug: Dear Arno, this morning we made a trial cake of tobacco. This will be baked tomorrow and then we will test the tobacco for 7 to 10 days. After that time it will be cut and samples sent to you. The 25th I informed him that we managed to cross the 200 tins border. That is very good news Arno. I will now go downstairs to the production area and see what the cake is like. (10 minutes later) Interesting!!! The cake is made and the aroma is intriguing. I have cut a plug and will send to you for your opinion. Please allow it to dry a little as the tobacco is still very young.

Sample-round 1

On 22 October 2015 a package arrived at the office for me. Hmm, rather large, I thought, can’t be Gawith, such a box for only a sample? But the sender was indeed Gawith and inside was a massive 250 gr. slab of pressed tobacco! Wow! With the previous forum tobacco I only got small sample bags of which I could barely smoke 4 pipes. At least I could provide decent samples for my testers this time. So I cut the tobacco up in smaller pieces and send them to my testing panel, a select group of forum members and friends. Of course I also smoked the plug and to my relief it already was pretty good. In short the testing panel and I came to the conclusion that the plug was ok, the basis was good. So I mailed Bob that the Virginias in combination with the oriental, perique and smidge of latakia were to be found very interesting taste-wise. However, halfway the bowl it seemed that the “middle” taste-tones were lacking a bit. The plug had good “subtones” and “overtones”, but the middle was a bit “empty”, sort of. Like someone of the testers said: neither fish nor fowl. So I suggested an increase of the level of Oriental to Bob to fix this. The perique level was ok but the latakia could be even less. By the way, I did not tell the testing panel it contained latakia but some detected it.

Sample-round 2

It took some time before Bob responded, on 23 November he send this: Arno, I have noted your comments and will work at it. For now we are extremely busy, so if you do not mind, Arno Plug will have to go on to the back burner. Be assured that I will take a long look in a couple of weeks. About the name “Arno Plug” were some funny comments on the forum, I don’t understand why.. Finally at the beginning of February 2016 the second sample-slab of tobacco arrived at the office. But when I smoked the first pipes I was not happy.  I asked Bob to raise the oriental content but now the blend was really lacking midrange taste, my fault. The Virginias no longer supported the oriental so the whole balance was off. From the other hand the perique and latakia content were perfect. Still I did not send this sample round to the testing panel, it was not better as the first one. I mailed Bob my findings and waited again.

Then it began to rumble about the cut of the forum tobacco. It was going to be a plug but Gawith was slowly beginning to object to this: Regarding the packaging of SG plug, we have one packing for this in the UK and that is a 250g box. Generally speaking, it is very expensive to cut a plug to 50g, it requires constant trimming to size and we end up with excessive waste, the cost of which has to be added back to the end product weight. We can do this in a tin but the price will shock you. Can the product which you require not be taken in the standard 250g box? It would certainly have a more attractive price for you. You could of course also take the product as a bulk product and pack it yourselves. I told Bob that we could not take the standard 250 gr. box or the tobacco as bulk. This because in The Netherlands no sales of bulk tobacco is allowed, only sealed tins and pouches are permitted. On 8 March the final verdict fell: Dear Arno, with regard to the Forum tobacco, we are not prepared, on the basis of time/cost to pack this product as a 50g Plug. We are, however, prepared to go with a 50g flake product.

Flatlander Flake

Damnit! I already “sold” over 200 tins as a plug and now it suddenly was going to be a flake. I explained the situation to the forum members and asked them if they were willing to accept the new cut. Luckily the most heard response was: “A plug is more special but a flake is also ok, easier to handle”. *Pheww*! Only 1 member wanted to cancel his order because of this. The new flake also needed a name so I asked the forum members for suggestions. The best came from Jef (nickname NoneNicer): Flatlander Flake. He was inspired by the book “Flatland, a romance of many dimensions” written by Edwin A. Abott. The book is about dimensions and we just went from 3D (a plug) to 2D (a flake), very appropriate. Plus that when I read the name I immediately got inspiration for the tin artwork. I asked Bob what the dimensions of the label were and started to work. I ended up with a picture of the flat lands around the village where I live. With some Photoshop I made it look like a painting. I added the Samuel Gawith logo, some info, of course the name, send it to Bob et voilà, I was ready.

Bob still had not send a reply but after some pushing from my side he finally did on 4 April: Dear Arno, I have no news as yet. I have to wait until Mr Gubbels enters into an agreement with Gawith Hoggarth. Until this happens I cannot make or ship. This may not happen until after May 20th in which case I may have wasted money on labels we cannot use. Until I know what the market is doing I will not move. I know this is frustrating but the problem is small compared to our having to change label designs and health warnings for all EU markets, also to possibly change the type of tin we use. The problem at which Bob was pointing was the new tobacco regulation guideline TPD2. That required that Flatlander Flake had to be produced before 20 May 2016 otherwise we 1. could throw away the labels that were just made and 2. horrible pictures would be put on the tins. Luckily a couple of weeks later Elbert Gubbels committed himself to Gawith. He was going to import several Samuel Gawith tobacco to The Netherlands including Flatlander Flake. But our troubles were not over yet.

An example of TPD2 approved artwork…

A silence fell until 10 June when Elbert mailed me: Dear Arno, an update regarding tobaccos from England: I have just been in contact with Bob Gregory and an appointment is scheduled in Kendal. After much hassle we finally have the permit to buy tax seals. We hope to be able to import tins with no unsightly pictures on front and back. Regarding the status of your forum tobacco order: this will at least have to get the ugly pictures because the tobacco is not yet manufactured / packaged. All tobaccos produced after May 20 this year are obliged to get the pictures on the cans. It all goes not smooth. Of course there is the fact that we have received permission / a license so late. Bummer, artwork with nasty pictures.. “Oh well, at least a forum tobacco is coming!” I thought.

Respect for this man!

The next months Elbert got busy with the whole process of importing the Gawith tobaccos. Which was hell for him. This because it was the first time he did anything like that. Only a few companies import tobacco into The Netherlands so there was no one who told Elbert what to do, he had to find out everything by himself. You have meet all kinds of bureaucratic requirements and every time Elbert thought he saw the light at the end of the tunnel our dutiful civil servants conjured up another wall. Very frustrating so I have nothing than the utmost respect for the man because he stubbornly kept going on. In the mean time I discussed the final number of Flatlander Flake with Elbert, he would import 300 tins.

Yeahh!! No gruesome images!

Things started to move again when Bob asked for the Flatlander Flake artwork, again, at the beginning of August. A good opportunity to ask for the 3rd sample round but I got no response. Halfway September was the Inter-Tabac Fair in Dortmund so I mailed Bob several times and begged him to bring new Flatlander Flake samples, again no response. As you can read in the corresponding blogpost the bastard (love you Bob!) did bring 2 tins of the final product with him (No more sample rounds, he said..). I noticed the content of the tin I opened was still very fresh but I tasted potential! I have to reluctantly admit I could hug the man at that moment. In October one of the big PRF meetings was held in Heukelum and only just before the date I received 2 sample-tins from Elbert, with the new artwork. To my amazement and delight it did not have the gruesome images, only text warnings. How they did it, no idea, but to be honest I don’t care.

Tax seal

Slowly the date that the forum tobaccos arrived in The Netherlands was getting closer. Tobacconist Willem Schimmel in Zutphen was doing the sales, as an importer Elbert Gubbels could not do that. At the beginning of December Willem rang me up: “I received the tins, but there are only 288 of them..” What!!?? I ordered and “sold” 300 so I was 12 tins short. I phoned Elbert to asked what happened. Apparently he had send the mandatory tax seals to Gawith so they could attach them to the tins. Only, those seals come on rollers of 144 pieces. So 2 rollers of in total 288 tax seals were received and processed by Gawith. The 12 remaining tins they had send to The Netherlands without anything on them. Which was discovered by our hard working customs office.

Burning Flatlander Flake the wrong way..

They phoned Elbert and he went like “Oh sorry, perhaps I can pay the taxes for them now? I mean, it is only 12 tins.” At which the customs office burst out in anger and even threatened to call the police on Elbert.. In the end he was forced to burn those 12 tins in front of 2 customs officers who especially had to come to the Gubbels factory, I kid you not ladies and gentlemen, I have photographic proof of that. Totally insane, like those tins contained hard drugs! Luckily Gawith had some leftover stock of Flatlander Flake. Just before Christmas Willem organized 3 days on which the members of the forum could pick up their forum tobacco tins and the rest would be send by post. I was there on one of those days and the ambience was just great: happy forum members, Willem played the role of gracious host, there was a cosy Christmas market in the centre of Zutphen, finally all was well.

So now you probably all expect a glowing review by me about Flatlander Flake. Well, in The Netherlands we have a saying: “Wij van WC eend adviseren WC eend. (We from Toilet-Duck (a company) advise Toilet-Duck)” We Dutch use the slogan any time people or companies are clearly recommending their own stuff. I won’t do that, the lucky ones who have obtained a Flatlander Flake tin have to make a judgement for themselves. I can only say that I am very happy with the final result, I think it is a unique flake, especially within the Gawith range. It is interesting, smooth and mellow with grassy, sweet candy-cane-like tones yet the perique gives it some peppery kick which is rounded off by a slight smoky after-taste by the pinch of latakia. You can smoke it in all kinds of pipes where the shape of the bowl defines which ingredient comes out more. For example billiards enhance the Virginias and pots/princes the oriental content. However I do advise to smoke slowly, almost sip it. If you have the patience to leave the tin shut I predict you will be in for a treat after some time. Virginias and orientals age very well.

I would like to thank Bob Gregory, Elbert Gubbels and Willem Schimmel, without them Flatlander Flake would not have been possible. Also I thank my girlfriend Ellen for enduring my moods and billows of smoke. And of course I thank all of you forum members who have bought the tins (sometimes vast amounts!) without knowing what the final product was going to be like. Thank you for having faith in me!

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State Express London Mixture

© GL Pease

State Express London Mixture © GL Pease

The first time I read about State Express London Mixture was years ago in an article by master-blender GL Pease. It was about re-hydrating the bone-dry contents of an old tin of this classic English blend. What struck me most was not the story (although since then I often used the described re-hydration methods), but the picture on top of it. It showed the lid of a State Express London Mixture tin and I immediately fell in love with it. It had a classy, luxurious, nostalgic old world appearance which instantly appealed to me. So I went searching on e-bay and pretty soon I stumbled upon a sealed and unopened tin from the late 1980’s. To my utter joy I won the auction and soon I had the object of my desire in my possession. With trembling hands I pried off the lid and heard the beautiful hiss that indicates the air-seal was still intact. I filled up my pipe and here comes the sad part, at that point I only had been smoking pipe for about a year so I could not appreciate the blend. My taste-buds were not developed enough. I stashed away the tin until a year later when I re-hydrated the contents and tried it again. This time I was able to enjoy the mixture and acknowledge the genius of the blenders. It tasted absolutely great, a harmonious yet adventurous blend of bright golden Virginias, Syrian latakia and the costly Greek and Turkish (oriental) tobaccos Samsun, Izmir, Xanthi and Cavalla.

img_5587I always kept searching for another tin but that proved to be rather difficult. Or it was empty, or the seal had been broken, or it was too expensive or the seller did not want to ship to The Netherlands. A couple of weeks ago on an evening I spotted a tin. It looked somewhat rusty on some spots but eejj, that is the risk you have to take. But I kept that in mind, set the bid not too high and went to sleep. The next morning I saw to my utter amazement that I had won the tin! Needless to say, I was a happy man. When I received the package (with some extra customs office costs.. Grrr…) I had to laugh. In the box was a message which read: “This tin is old and contents are not for use! Frankly, it would choke a horse!” “Well, we will see about that madam ebay-seller!” I thought. I could not wait to open the tin. I felt like Howard Carter when I pried open the lid but unfortunately no hiss this time and indeed the contents seemed mummified. Of course I immediately started re-hydrating the blend.

img_5594In the mean time I started digging for information about the tin. On the seal it said “US Distributors Faber, Coe, & Gregg Inc. Newark, New Jersey 07108”. I had no idea so decided to ask for information on the PipesMagazine.com forum. Luckily Jon Guss roams there and Jon is a first class researcher and author of many pipe and tobacco related books and articles. He saw my question and responded: There are two key indicators that enable me to date it to within a relatively narrow span: the measurement of the weight of the contents, and the reference to a Newark address. When first released (about 1967) SELM (State Express London Mixture but shorter) tins were denominated in ounces; sometime over the course of 1972-73 this was switched to 50 grams (listed as 1 3/4 oz in the States). As for Faber Coe’s location, their NJ headquarters address changed from Newark to Clifton in the second half of 1978. Your tin therefore dates from 1972-78. That could be narrowed a bit further by consulting RTDA annuals for 1972 and 1973, neither of which I happen to have handy. But in the scheme of things knowing your tin is forty years old plus or minus a couple of years is a pretty good outcome. So in other words, I could have a birth-year tin in my hands! Whoohoo!

Ardath tobacco offices and factories in 1914

Ardath tobacco offices and factories in 1914

I was already happy with this bit of information but Jon came with even more! A history of the blend and Ardath, the manufacturer: State Express London Mixture was made by Ardath Tobacco Company, Ltd. There is info readily available online about Ardath (much of it wrong or misleading), but in a fairly small nutshell what later became Ardath Tobacco Company, Ltd. was founded by Albert Levy in 1895. He was joined by a partner, Barnett S. Gluckstein, in 1903. In a complex set of transactions apparently triggered by his desire to retire, in January of 1926 Gluckstein sold his shares “to a financial house in the City” and a holding company was created which held all the outstanding shares (Gluckstein’s and Levy’s) of Ardath.

british_american_tobacco_logo-svgAt the time it was coyly announced that British American Tobacco Company Ltd. (BAT) had acquired an “interest” in this new holding entity, and a collaboration in overseas markets was to begin immediately. Levy, who remained as head of the company, announced that despite BAT’s interest, the business of Ardath would be “carried on independently, exactly the same as before”. Half a year later it became clear that the new holding company (“Universal Tobacco Company”) was in reality controlled and managed by BAT, and Ardath had become in essence a subsidiary. The long sad litany of events Ardath suffered under its new master, including the eventual outsourcing of its manufacturing and closure of its factories, is wholly irrelevant to the story of SELM. Likewise the convoluted relationship between BAT, Imperial, and what remained of Ardath’s brands and the geographic rights thereto.

The famous State Express 555 cigarettes

The famous State Express 555 cigarettes

More to the point, by the time SELM came on the stage in the late 1960s Ardath had been a creature of BAT for generations, and what remained of the original company was apparently mostly a collection of brand names (along with a distribution function tacked on later). By then State Express, originally a cigarette brand trademarked by Ardath in 1896, was one of the largest assets left over from the Ardath acquisition, and had been exploited over time through a series of brand extensions and entries into international markets. SELM, a new pipe tobacco based on the marque, was developed in the mid-1960s. It was then trademarked in a variety of countries, including Canada (March 20, 1967), Australia (April 21, 1967), the U.S. (April 4, 1968), Germany (March 30, 1969), and Kenya (1970). It was advertised for sale in the US by the end of 1968. Internal company documents make it clear, however, that despite the various international trademark filings the blend was “created largely with the U.S. market in mind”.

State Express London mixture trademark

State Express London mixture trademark

As far as I can tell SELM was only ever available in 2 ounce (from launch until about 1972-73) and 50 gram (1972-73 onward) rectangular tins. The product was considered to be successful enough that two expansions were considered: a) introduction into the UK (per documents dating to late 1974), and b) development of a cigarette incorporating SELM tobacco. It’s not entirely clear to me whether either ever got off the ground. I should add SELM had a run of a bit over two decades. It was withdrawn from production sometime between 1989-1992: SELM appears in the 1988 RTDA almanac, but the US trademark was allowed to expire on November 3, 1992. It remains possible that the blend continued to be available in other countries thereafter, but given the importance of the US market to the brand that seems unlikely.

Now over to the review of the blend, I go a bit back and forth between the 1970’s and 1980’s version.

img_5556Description from the producer – Package/tin:
At the bottom of the 70’s tin you can read: Bright Golden Virginia and dark latakia spiced with rare Greek and Turkish tobaccos. Further on the bottom is a sticker with the image of the blend inside. On the 80’s version this sticker is omitted. There is also (I guess on even older tins) a bottom which held an English penny to help open the tin. The frontal image on the lid is together with the old Balkan Sobranie and Marcovitch artwork the most beautiful I have ever seen. It is an old looking stylized map of Anatolia (or Asia minor) and surrounding areas with on the bottom left a sailing ship and on the bottom right a mariner’s compass. In the map are the names of the places where (most of) the ingredients originate from like (Syrian) Latakia, Samsun, Izmir, Xanthi and Cavalla. Above the card in a classy golden looking rectangle is the name of the blend. “State Express” in serif characters and “London Mixture” in a script font. On top of it all is a coat of arms, the royal warrant, granted to Ardath by King George VI in 1946 and again later by Queen Elizabeth II.

img_5565Once you remove the lid of the 70’s version you are greeted by a golden wrapper, the 80’s one has sober wrapping which repeatedly states “Supreme British Tobacco”. On top of the golden wrapper is a small but wonderful booklet. It contains information about the State Express brand, the London Mixture blend and has a beautiful (educational) illustration of the tobacco leaves used in the mixture. On the backside of the front lid of the 70’s version the royal warrant is repeated together with the name of the blend and the description of it. The 80’s version is empty, I guess they had to cut back costs.. A pity, because as Jon Guss his father would say: packaging is marketing. A wise man.

img_5578Ingredients/Contents/Cut:
In an old document I found the recipe of State Express London Mixture, it consisted of 35% bright flue cured golden Virginia, 25% orientals (Samsun, Izmir, Xanthi and Cavalla) and 40% (Syrian) latakia. In the same file the manufacturing process is also explained, an interesting read which you can see here. Upon opening the 70’s tin I was greeted by the beautiful sight of 1 whole oriental leaf placed upon the mixture. According to information given to me by Jon there once also was a version with 2 different varieties of oriental leaves laid crossways over the blend. The 80’s version tin contained no whole oriental leaf at all, once again, perhaps they had to cut back costs. The mixture itself looks identical in both tins, I guess the contents have darkened in colour by age. Dark brown/black latakia, light orange/green and dark yellow Virginia and darker orange/green and light-brown orientals. The cut for both versions is a typical ribbon cut, although the 70’s one had a few chunkier pieces.

noseSmell from the tin:
Both versions smell aged, I can’t really describe it, those who have sniffed the contents of 20+ year tins know what I mean. A kind of “musty but in a good way” smell. If I look (smell) beneath that I am a bit surprised that the latakia is so toned down. Ok, that is common with the ageing of the dark leaf and Syrian latakia is not as assertive as its Cyprian cousin but still, there is 40% of the stuff in the blend. For the rest the hay-like, raisin Virginia dominates with mildy pungent underlying notes of the exotic oriental tobaccos.

011Taste:
Both versions were an absolute utter delight to smoke, but there were differences. They start with a kind of strong black tea taste in which the dark fruit sweetness of the Virginia and exotic orientals slowly become more and more prominent. Like with the smell the latakia also tastes toned down. Don’t get me wrong, it is ideal for the blend, it really is in perfect sync with the other ingredients. And you get used to it, after having smoked SELM for days and days I wanted something a bit different and lit up a bowl full of (the new and excellent) John Cotton’s Smyrna, which has a moderate amount of Cyprian latakia. My taste buds who are used to a good portion of the dark leaf went like: whoaahh, latakia bomb! Anyway, the difference between the two vintages becomes apparent halfway the bowl when the oriental tobaccos take main stage. The 80’s version is taste-wise like a roller-coaster. Essences of fragrant exotic herbs and spices roll around your taste-buds with every puff while still being in harmony with the other ingredients. A true delight for the adventurous pipe smoker. The contents of the 70’s tin have melted together more. No big highs and lows here, I compare it with the curry I make, there is a kind of great basic taste and if you pay attention you can discern some ingredients. All the while with both versions the Virginia together with the latakia provide a sweet and smoky backbone. In the last third of the bowl the mixture gains flavour and intensity. The Virginias sing together with the orientals while the latakia softly but surely hums underneath. The 70’s version even has a kind of cigar-like heaviness in the end.

10679974_10205010273567619_6481518945363759545_oMiscellaneous:
I had to laugh when I read more of the old document because the maker of State Express London Mixture had a, ehmm, more limited view of how long a tin on the shelf should last than we have nowadays. It states: “Should be smoked as soon as possible for maximum taste. Tendency after three months to noticeable loss of flavour. Loss of colour in ‘Brights’ increasingly noticeable after three months.” Perhaps the man who wrote that is related to the e-bay woman who sold me the 70’s tin. SELM is a smooth smoke, no bite whatsoever. Nicotine-wise it is moderate, I am under the impression that the 70’s version contained a bit more of vitamin N. Burn-wise both vintages were excellent, no trouble at all throughout the bowl, only some fine grey ash was left.

thumbsRoom-note:
Despite the toned down latakia Ellen really did not like the smell of SELM. She even became short of breath from the smoke.. “*coughs* Perhaps the e-bay woman was right that it would choke a horse!” I on the other hand quite liked it (that is why it is not a full thumbs downs room-note). When I came into the living-room the mornings after I smoked it I detected a quite pleasant smoky, herbal odour.

moneyPrice:
Years ago I paid $100 for the 80’s tin. At the time not so much because the dollar was low and the euro strong. Good ol’ days.. So with that price in my mind I was absolutely not sure if I would win the auction for the 70’s tin. I had a lower budget so I set a not too high maximum bid. In the end I won the vintage State Express London Mixture for $30.

img_5583_1Conclusion:
For me State Express London Mixture belongs in the same pantheon of legendary pipe tobacco blends as for example the Sobranie mixtures, Marcovitch and the old Dunhill offerings. It has an unique old world quality inside and on the outside of the tin. Sadly blends like this one can’t be made today. Syrian latakia is no longer made and sourcing the specific oriental tobacco varieties is nearly impossible. Something which I really regret because for me the key to adventure in pipe tobacco lies with the latter. Well ok, perhaps McClelland could pull it off with their stock of Syrian latakia and Grand Orientals series. But still, there is more to pipe tobacco than just putting ingredients together. I can’t really choose between the 2 vintages. The 80’s version was a fantastic roller-coaster taste-wise. If you hit a piece of oriental leaf in the bowl *booom!*, lots of flavour! On the other hand the 70’s one had an absolutely great basic taste with more subtle flavours of herbs and spices from far away. But it is not only the ingredients, also the classy look of the tin is absolutely superb. When you see it it almost calls out to me: “See the exotic places mentioned on my luxurious lid. I promise that if you smoke me and close your eyes your mind will be transported to far away countries where you will experience all their delights.” And I must say in all honesty, it did that to me, it was that good.

I would like to thank Jon Guss for his essential contribution to this blogpost.

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Latakia and… Chocolate???

Rainer (on the right) and Hans (in the middle)

Rainer (on the right) and Hans (in the middle)

Once in a while you smoke a blend that surprises you, that tastes so different in a pleasant way than you expected. Such a mixture is ChocoLat (notice the capital “L”) by HU Tobacco. You would expect that master-blender Hans Wiedemann is behind the tobacco but no, it is a friend of him (and myself): Rainer. It all began when he read the excellent book by Fred Hanna: The Perfect Smoke. In there is a paragraph where Mr. Hanna describes a tobacco blending experiment with an aromatic mixture called McClelland Tastemaster (a (Black) Cavendish – Burley blend) and 50% latakia: Smoky Chocolate Surprise. The first candidate for an excellent crossover is a McClelland aromatic called Tastemaster. It appears to be the typical McClelland high-quality tobacco that is cased and suffused with chocolate. Yes, I said it was chocolate, and, unbelievably, it even tastes like chocolate. It is a nice aromatic all on its own if smoked after allowing it to dry for a few days. It smells nice and burns rather cool as long as, like I said, it has time to dry out. However, when mixed with 50% McClelland Cyprian Latakia, you have the dessert equivalent of Smoky Chocolate Surprise. It smells great, has depth of flavor, and burns cool with a nice chocolate taste. It is actually rather amazing stuff. I highly recommend it to the Latakia lover who has a sweet tooth. And, of course, the room note is pleasant indeed.

Norbert Hedtke

Norbert Hedtke

So Rainer started experimenting, got some Tastemaster from the States, mixed it with pure Latakia and indeed with a good result. But now the arduous task lay before him of re-creating the blend with European tobaccos. First he approached the master-blender of Kohlhase & Kopp, Norbert Hedtke. The blend that came out of that was ok, but it was not quite what Rainer had in mind. Something was off.. Of course! American (unflavoured) Black Cavendish is mostly made from Burley and European Black Cavendish is based on Virginia. Too much of the latter and the blend becomes a bit dry, woodsy. But with some tweaking this was solved. Then the mixture lacked a bit of body. This time the solution came from Hans Wiedemann. He added some special Burley and high quality Virginia which was precisely what the blend needed. The mixture then was rounded off with, not an overly sweet milk chocolate, but a dark chocolate topping.

logo_HU-TobaccoDescription from the producer:
The common passion for good tobacco has Rainer aka Raiko and me let become good friends. There was of course close to the Rainer finally created his own tobacco. The result is really fun – Chapeau Rainer!!! Luxurious, opulent and at the same time with a hint of decadence – ChocoLat has it all! Nearly half a measure of Latakia is sustained by high-grade Virginias, Burley and unflavoured Black Cavendish. A discreet cocoa flavour delivers a satisfying, indulging taste without ever becoming overly sweet. Deep and dark, pleasant and snugger alike a good Stout… ChocoLat – can also serve as an ideal companion to a dark beer.

ChocoLatPackage/tin:
A typical round European style 50 gr. tin is used. On the tin sadly no image but just plain text. Hans really makes wonderful tobaccos and some of his tins have really nice artwork. But also many tins lack that.. The eye also wants something and with a name like ChocoLat I am sure a good looking tin label could have been made.

IMG_4787Contents/Ingredients/cut:
Upon opening the tin you see a simple white paper. When you remove that a blend greets you which varies in colour from light to dark. Bright Virginias, slightly darker Burley and black Latakia and Black Cavendish. Which also sums up the ingredients. The cut is a regular ribbon cut.

noseSmell from the tin:
The smell from the tin is a bit strange, but in a good way. I smell the earthly, leathery camp-fire odour of the latakia but it is subdued by the other tobacco components and the topping. It reminds me of Sillem’s Black, marshmallows roasting above a camp-fire. But then less aromatic, more natural. A real chocolate smell I do not detect.

011Taste:
Upon lighting the pipe you get the dark earthy taste of the smoky latakia but without the bitterness you sometimes experience. After a few puffs the bright and sweet Virginias, together with some citrus, come through. They, in combination with the creamy Black Cavendish also provide a slight grassy taste. The Burley provides the nutty backbone of the blend. I don’t really detect a clear chocolate taste, it is just a bit of marshmallows roasting above a camp-fire. Smoking a pipe with this mixture is not a roller-coaster ride flavour-wise, all the ingredients are in perfect harmony and stay that way. Like with the smell I am taste-wise also reminded of Sillem’s Black; it is more natural than aromatic. Sometimes aromatic blends loose their taste halfway the bowl, but because ChocoLat leans on the natural tobaccos the flavour is consistently maintained throughout the bowl.

IMG_4786Miscellaneous:
German made blends sometimes have the tendency to bite but like most HU Tobacco blends ChocoLat is a good boy. Nicotine-wise it is a mild blend, I can smoke it without any troubles. Burn-wise this is an excellent mixture. I rarely required so few relights and it burns right down to the bottom of the bowl.

thumbs2Room-note:
For Ellen it contains latakia so no… However, even when she says she does not really like it, she made no remarks while I smoked it, no leaving the room, no coughing noises.. And when I entered the living-room the next morning all I could smell was a faint roasted marshmallow odour. So for me the room-note goes into the “pretty decent” department.

moneyPrice:
On the website of HU Tobacco this blend will cost you €11,30 (± $12.50).

P1090674Conclusion:
This blend will appeal to pipe-smokers on different levels. If you are a lover of Latakia-blends this mixture will be a nice and perhaps refreshing change of pace. Don’t let the “chocolat” label put you off, this is not an aromatic, there are loads of high quality natural tobaccos to be enjoyed. And if your wife loathes the smell of your favourite Latakia-blends, try ChocoLat, perhaps she will like it. Because every woman loves chocolate, right? Also when you want to try out a mixture with latakia I believe this is a good blend to start with. You get the characteristics of the dark leaf but in a smoothed, tasty way that won’t put you off.